Floating baguette diamond necklace
Floating baguette diamond necklace
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Expert digest
Not that it ever truly left, but white gold has gotten a renaissance. This necklace flawlessly shows exactly how astonishing white gold is.

Our curator
Gemstone Quality
Good value for money: a well cut diamond with mid-range clarity and colour.
Brand Recognition
Lizzie’s minimal jewellery has a strong impact. Choose from fine chains with floating gemstones or something a little more bold. Her pieces are designed to be layered and can also be personalised.
Product details
Metals
White gold
A combination of gold and palladium plated with rhodium to give it its characteristic white sheen.
18 kt white
75.0% gold content, plated with rhodium, white with subtle warm undertones. An exclusive as well as durable precious metal.
Solid
Made of a single, solid precious metal or metal alloy. Highly durable, can always be re-polished to regain its shine after wear.
Polished
The surface has been polished to give it a bright shine. It can always be re-polished to regain its shine after wear.
White gold
A combination of gold and palladium plated with rhodium to give it its characteristic white sheen.
14 kt white
58.3% gold content, plated with rhodium, cool white hues. Relatively hard making it a popular choice for jewellery that lasts a lifetime.
Solid
Made of a single, solid precious metal or metal alloy. Highly durable, can always be re-polished to regain its shine after wear.
Polished
The surface has been polished to give it a bright shine. It can always be re-polished to regain its shine after wear.
Gemstones
1 × Diamond
VS1
Clarity
Inclusions are only visible with effort under 10x magnification
G
Colour
Near colourless and rare white with a very slight warm tone, near impossible to detect. (Grade G)
Good
Cut
Baguette
Shape
Size and fit
Pendant necklace
Spring clasp
Lock
16inches
Length
Lizzie Mandler
Timeless designs honouring the sentimental value of jewellery
Lizzie’s minimal jewellery has a strong impact. Choose from fine chains with floating gemstones or something a little more bold. Her pieces are designed to be layered and can also be personalised.
Bench-trained goldsmith
Handcrafted in downtown Los Angeles
Signature style of white and black diamonds
Timeless designs
Designer Interview
Lizzie Mandler: "When the jewellery gets purchased by some else, it is no longer about me or my brand at all. It is about what happens to this piece of jewellery in that person’s life and how it comes to take on a life and meaning of its own."

How did you get into jewellery?
I started designing and making semi precious and beaded jewellery when I was 12, and I got into fine jewellery at 16 when I started studying as a bench jeweller. Once I started with fine jewellery, I knew it was exactly what I wanted to pursue as a career. I studied as a bench jeweller locally in Santa Monica, and in college I moved to Florence, Italy for a year, and studied at a small artisan school. When I came back and graduated from university a year later, I launched the collection.
And your inspiration?
I’ve never had one singular source of inspiration, I am more inspired by the way jewellery lays on the body and the way we come to adapt jewellery as part of our wardrobes. Even more than just a wardrobe, it becomes a second skin to people and something that people wear religiously. There’s no one source, the key for me is I have to put myself in an environment where I am creative, and I have realised in the last few years that I have to remove myself from my office and from LA in order to get to that place.