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Serti sur vide earring

Serti sur vide earring
Serti sur vide earring
Serti sur vide earring
Serti sur vide earring
Serti sur vide earring
Serti sur vide earring

Serti sur vide earring

18 kt solid white gold0.25 ct in diamondSingle earring

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Expert digest

Metal Durability

Made of solid 18 karat white gold, a hard metal that will never oxidise or discolour. May need an occassional polish if worn regularly to maintain its shine.

Brand Recognition

Gaia pioneered a new wave of modern design from the heritage of her family’s jewellery maison. The now iconic floating diamond and unique blend of pink gold, along with a league of admirers, make this a must-have brand.

Product details

Metals

White gold

A combination of gold and palladium plated with rhodium to give it its characteristic white sheen.

18 kt white

75.0% gold content, plated with rhodium, white with subtle warm undertones. An exclusive as well as durable precious metal.

Solid

Made of a single precious metal, this piece will never oxidise or discolour and will keep its looks for generations.

Polished

The surface has been polished to give it a bright shine. It can always be repolished to regain its shine after wear.

Gemstones

Diamond

a floating 0.18ct pear diamond, with 1 row of pavé diamonds

0.25 carat

The unit of weight for diamonds, equivalent to 0.2 grams, or about 6.4mm in diameter (slightly smaller than a regular pencil-end eraser)

VS2

Clarity

Inclusions are only visible with effort under 10x magnification

D

Colour

The highest, most colorless and exceptionally white colour diamond that exists

Size and fit

Hoops earring

Single piece

Sold as

Clasp

Closure

Description of property

13mm

Drop length

Description of property

Designer Interview

Gaia Repossi: "I play a lot with the collective unconscious, which is why I like antique and tribal jewellery. It is just a way to express a narrative and a dialogue."

Designer photo

Repossi was founded in 1957, so you come from a long history of creative jewellery talent, but initially, you studied fine arts. What convinced you to go into the family business after all?

I didn’t really want to do this profession, but I was living in Paris at the time, and my father had his communications and part of the design offices here in Paris. I slowly started advising him, and later on I tried a few projects and designs, and it worked. I think it was my father’s approach and his way of giving me freedom and total trust; I felt like I could express myself enough. The respect and the interest he had in giving me all the space I needed was a beautiful way to slowly convince me to finish what I started.

I read that you put yourself in the position of a “stranger”, which allowed you to question the foundations of the old world, can you elaborate on this position?

What happens when you don’t necessarily want to do a certain profession or you are sort of an outsider because you are younger and you have a different point of view, you slowly develop a sort of distance that allows you to rethink things. One of the reasons why I wasn’t interested in pursuing this career was basically because of what I wanted to change. I was questioning why contemporary jewellery didn't fit nowadays silhouette. Why it was only fashion that reinvents itself and makes desirable things, and why jewellery really did not relate to me. I wanted an identity that women could identify with. I wanted an image that fit the time we are in now.

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Sustainability

This piece adheres to these sustainability practices

  • Direct carbonneutral shipping
  • Plastic-free and recyclable packaging

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