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Antifer bracelet

Antifer bracelet photo 1
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Antifer bracelet photo 1
Antifer bracelet photo 2
Antifer bracelet photo 3
Antifer bracelet photo 4
Antifer bracelet photo 5

Antifer bracelet

curator
Our curator Miranda says:

"Repossi is a master of innovation and this regenerated jewellery classic, a refined bangle, is absolutely breathtaking."
18 kt solid rose gold0.83 ct in diamond

€9,900
Free 14 day returns
Free shipping via DHL, fully insured
All taxes and customs duties included
Includes certificate of authenticity
Please select an option to see delivery time ↑

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Product details

Metals

Rose gold

A combination of gold and copper which comes in different rose-tinted hues depending on the blend.

18 kt rose

A buttery yellow hue, considered the most classic gold. 75% pure, an exclusive as well as durable precious metal.

Solid

Made of a single precious metal, this piece will never oxidise or discolour and will keep its looks for generations.

Polished

The surface has been polished to give it a bright shine. It can always be repolished to regain its shine after wear.

Gemstones

Diamond

2 rows of pavé white diamonds

0.83 carat

The unit of weight for diamonds, equivalent to 0.2 grams, or about 6.4mm in diameter (slightly smaller than a regular pencil-end eraser)

VVS2

Clarity

Inclusions so slight they are extremely hard for even a trained gemologist to see under 10x magnification

G

Colour

Near colourless and rare white with a very slight warm tone, near impossible to detect. (Grade G)

Size and fit

Bangle bracelet

Push clasp

Lock

Description of property

15cm

Length

Description of property

Designer Interview

Gaia Repossi: "I play a lot with the collective unconscious, which is why I like antique and tribal jewellery. It is just a way to express a narrative and a dialogue."

Designer photo

Repossi was founded in 1957, so you come from a long history of creative jewellery talent, but initially, you studied fine arts. What convinced you to go into the family business after all?

I didn’t really want to do this profession, but I was living in Paris at the time, and my father had his communications and part of the design offices here in Paris. I slowly started advising him, and later on I tried a few projects and designs, and it worked. I think it was my father’s approach and his way of giving me freedom and total trust; I felt like I could express myself enough. The respect and the interest he had in giving me all the space I needed was a beautiful way to slowly convince me to finish what I started.

I read that you put yourself in the position of a “stranger”, which allowed you to question the foundations of the old world, can you elaborate on this position?

What happens when you don’t necessarily want to do a certain profession or you are sort of an outsider because you are younger and you have a different point of view, you slowly develop a sort of distance that allows you to rethink things. One of the reasons why I wasn’t interested in pursuing this career was basically because of what I wanted to change. I was questioning why contemporary jewellery didn't fit nowadays silhouette. Why it was only fashion that reinvents itself and makes desirable things, and why jewellery really did not relate to me. I wanted an identity that women could identify with. I wanted an image that fit the time we are in now.

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Sustainability

This piece adheres to these sustainability practices

  • Direct carbonneutral shipping
  • Plastic-free and recyclable packaging