Plus hoop gold with emeralds




Plus hoop gold with emeralds
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Certificate of authenticity
- Designed & created by
- Marlene Juhl Jørgensen
- Issue date
- 4 July 2022
- Location
- København K
Digital certificate
All jewellery pieces sold or appraised by Finematter have a digital certificate of authenticity.
Besides proof of ownership, it verifies the quality of your piece, including designer, metal, and gemstones.
If you are buying this as a gift, it can be transferred to give the receiver direct access to the warranty, aftercare services, and more.
Product details
Metals
Yellow gold
A precious and highly durable metal which comes in different golden hues depending on its purity.
18 kt
A buttery yellow hue, considered the most classic gold. 75% pure, an exclusive as well as durable precious metal.
Solid
Made of a single precious metal, this piece will never oxidise or discolour and will keep its looks for generations.
Polished
The surface has been polished to give it a bright shine. It can always be repolished to regain its shine after wear.
Gemstones
5 × Emeralds
Size and fit
Hoops earring
Single piece
Sold as
Threader
Closure
Marlene Juhl Jørgensen
Pioneering jewellery merging Nordic traditions and ancient techniques
Loved and respected designer Marlene creates a modern take on classic jewellery, covering everything from essentials to one of a kind pieces. We love her chunky chains and simple earrings set with diamonds, pearls and emeralds.
30 years in the industry
Award winning designer
Cult store in Copenhagen
Bench-trained goldsmith
Designer Interview
Marlene Juhl Jørgensen: "I have to take responsibility and help impact the world in a positive way. You have to start with yourself."

You’ve been in the industry 30 years now, how did you end up a jewellery designer?
It’s quite early that I realise what I want to do in life. My mom has always had an interest in jewellery and would always have it custom-made. I remember how she once gifted us children a razor blade in silver and had one made in gold for herself. She was very modern and ahead of her time. It formed my interest in jewellery. I discovered designers like Gerda Lynggaard, Guld & Gummi, Birthe Steenbach and Torben Hardenberg who did untraditional jewellery. It took on a different life and became something more than pearls and eternity rings. It was a different approach and it opened my eyes to how you could work with unconventional materials like amber and rubber. It was an inspiration in the way that I started thinking about ways that I could redefine this universe and decide what it was supposed to look like.
FM: With whom did you do your apprenticeship?
With Vagn Drachmann. It was an amazing place. It was great, not in a cool way, but in a tough way. It really was incredible. Then, when I finished, I went to New York to study at Parsons. But I felt like I knew everything they had to offer already; they didn’t have a Master’s in jewellery. Instead, I started a Master’s in Fine Arts. I had always known that I had to travel and try new things. Had I just started on my own immediately after my apprenticeship, I am not sure I would have found my own style.