Seamless huggie
Seamless huggie
Warranty
Delivery
Payment
Return
Certificate of authenticity
- Designed & created by
- Lizzie Mandler
- Issue date
- 29 September 2022
- Location
- Los Angeles
Digital certificate
All jewellery pieces sold or appraised by Finematter have a digital certificate of authenticity.
Besides proof of ownership, it verifies the quality of your piece, including designer, metal, and gemstones.
If you are buying this as a gift, it can be transferred to give the receiver direct access to the warranty, aftercare services, and more.
Expert digest
It doesn't get more simple than this - a seamless huggie in 18k solid gold. We love to stack ours with other piercings.
Miranda Williams, Finematter
Metal Durability
Made of solid yellow gold, a hard metal that will never oxidise or discolour. May need an occassional polish if worn regularly to maintain its shine.
Brand Recognition
Lizzie’s minimal jewellery has a strong impact. Choose from fine chains with floating gemstones or something a little more bold. Her pieces are designed to be layered and can also be personalised.
Product details
Metals
Yellow gold
A precious and highly durable metal which comes in different golden hues depending on its purity.
Solid
Made of a single precious metal, this piece will never oxidise or discolour and will keep its looks for generations.
Polished
The surface has been polished to give it a bright shine. It can always be repolished to regain its shine after wear.
Size and fit
Huggies earring
Single piece
Sold as
Clasp
Closure
8mm
Drop length
Lizzie Mandler
Timeless designs honouring the sentimental value of jewellery
Lizzie’s minimal jewellery has a strong impact. Choose from fine chains with floating gemstones or something a little more bold. Her pieces are designed to be layered and can also be personalised.
Bench-trained goldsmith
Handcrafted in downtown Los Angeles
Signature style of white and black diamonds
Timeless designs
%20(2).jpg?ixlib=gatsbyFP&auto=compress%2Cformat&fit=max&rect=27%2C0%2C577%2C769&w=900&h=1200)
Designer Interview
Lizzie Mandler: "When the jewellery gets purchased by some else, it is no longer about me or my brand at all. It is about what happens to this piece of jewellery in that person’s life and how it comes to take on a life and meaning of its own."
How did you get into jewellery?
I started designing and making semi precious and beaded jewellery when I was 12, and I got into fine jewellery at 16 when I started studying as a bench jeweller. Once I started with fine jewellery, I knew it was exactly what I wanted to pursue as a career. I studied as a bench jeweller locally in Santa Monica, and in college I moved to Florence, Italy for a year, and studied at a small artisan school. When I came back and graduated from university a year later, I launched the collection.
And your inspiration?
I’ve never had one singular source of inspiration, I am more inspired by the way jewellery lays on the body and the way we come to adapt jewellery as part of our wardrobes. Even more than just a wardrobe, it becomes a second skin to people and something that people wear religiously. There’s no one source, the key for me is I have to put myself in an environment where I am creative, and I have realised in the last few years that I have to remove myself from my office and from LA in order to get to that place.
