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Serti sur vide diamond pavé ring

Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring
Serti sur vide diamond pavé ring

Serti sur vide diamond pavé ring

18 kt solid white gold0.3 ct in 1 diamond & 0.26 ct in 29 diamonds

$7,150
All taxes and customs duties included
90 day free returns
Free shipping via DHL or UPS, fully insured
Includes certificate of authenticity

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Product details

Metals

White gold

A combination of gold and palladium plated with rhodium to give it its characteristic white sheen.

18 kt white

75.0% gold content, plated with rhodium, white with subtle warm undertones. An exclusive as well as durable precious metal.

Solid

Made of a single, solid precious metal or metal alloy. Highly durable, can always be re-polished to regain its shine after wear.

Polished

The surface has been polished to give it a bright shine. It can always be re-polished to regain its shine after wear.

Gemstones

Diamond

A floating 0.30ct pear diamond.

0.3 carat

The unit of weight for diamonds, equivalent to 0.2 grams.

VS2

Clarity

Inclusions are only visible with effort under 10x magnification.

D

Colour

The highest, most colourless and exceptionally white colour diamond that exists

Pear

Shape

Description of property

Diamond

A row of pavé diamonds, with an average of 29 diamonds.

0.26 carat

The unit of weight for diamonds, equivalent to 0.2 grams.

Size and fit

Statement ring

Designer Interview

Gaia Repossi: "I play a lot with the collective unconscious, which is why I like antique and tribal jewellery. It is just a way to express a narrative and a dialogue."

Designer photo

Repossi was founded in 1957, so you come from a long history of creative jewellery talent, but initially, you studied fine arts. What convinced you to go into the family business after all?

I didn’t really want to do this profession, but I was living in Paris at the time, and my father had his communications and part of the design offices here in Paris. I slowly started advising him, and later on I tried a few projects and designs, and it worked. I think it was my father’s approach and his way of giving me freedom and total trust; I felt like I could express myself enough. The respect and the interest he had in giving me all the space I needed was a beautiful way to slowly convince me to finish what I started.

I read that you put yourself in the position of a “stranger”, which allowed you to question the foundations of the old world, can you elaborate on this position?

What happens when you don’t necessarily want to do a certain profession or you are sort of an outsider because you are younger and you have a different point of view, you slowly develop a sort of distance that allows you to rethink things. One of the reasons why I wasn’t interested in pursuing this career was basically because of what I wanted to change. I was questioning why contemporary jewellery didn't fit nowadays silhouette. Why it was only fashion that reinvents itself and makes desirable things, and why jewellery really did not relate to me. I wanted an identity that women could identify with. I wanted an image that fit the time we are in now.

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