- Strip of paper, approximately 10mm wide and 100mm long.
- Pen or Marker
- Measuring tape or ruler
- Strip of paper, approximately 10mm wide and 100mm long.
- Pen or Marker
- Measuring tape or ruler
Wrap the strip of paper around the base of the finger you intend to wear the ring on. It should feel snug, but comfortable enough to fit over your knuckle.
Mark the points where each end of the paper meets.
On a flat surface, measure the length between the two points in millimeters. This measurement is your ring size.
- Your fingers will be at their smallest when cold and they tend to swell when hot. We recommend you measure your finger when your hands are a comfortable temperature - not too hot and not too cold.
- For accuracy, we suggest you take this measurement at least twice.
- Measure the largest finger you intend to wear the ring on.
- If the measurement seems to be between two sizes, we suggest you opt for the larger of the two.
- If your knuckle is much bigger than the base of your finger, measure both and go for a size between the two measurements.
Serti sur vide ring
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Product details
A combination of gold and copper which comes in different rose-tinted hues depending on the blend.
A buttery yellow hue, considered the most classic gold. 75% pure, an exclusive as well as durable precious metal.
Made of a single precious metal, this piece will never oxidise or discolour and will keep its looks for generations.
The surface has been polished to give it a bright shine. It can always be repolished to regain its shine after wear.
The unit of weight for diamonds, equivalent to 0.2 grams, or about 6.4mm in diameter (slightly smaller than a regular pencil-end eraser)
Inclusions are only visible with effort under 10x magnification
The highest, most colorless and exceptionally white colour diamond that exists
Gaia Repossi: "I play a lot with the collective unconscious, which is why I like antique and tribal jewellery. It is just a way to express a narrative and a dialogue."
Repossi was founded in 1957, so you come from a long history of creative jewellery talent, but initially, you studied fine arts. What convinced you to go into the family business after all?
I didn’t really want to do this profession, but I was living in Paris at the time, and my father had his communications and part of the design offices here in Paris. I slowly started advising him, and later on I tried a few projects and designs, and it worked. I think it was my father’s approach and his way of giving me freedom and total trust; I felt like I could express myself enough. The respect and the interest he had in giving me all the space I needed was a beautiful way to slowly convince me to finish what I started.
I read that you put yourself in the position of a “stranger”, which allowed you to question the foundations of the old world, can you elaborate on this position?
What happens when you don’t necessarily want to do a certain profession or you are sort of an outsider because you are younger and you have a different point of view, you slowly develop a sort of distance that allows you to rethink things. One of the reasons why I wasn’t interested in pursuing this career was basically because of what I wanted to change. I was questioning why contemporary jewellery didn't fit nowadays silhouette. Why it was only fashion that reinvents itself and makes desirable things, and why jewellery really did not relate to me. I wanted an identity that women could identify with. I wanted an image that fit the time we are in now.
Adheres to the following sustainability practices
- Direct carbonneutral shipping
- Plastic-free and recyclable packaging