Gold double knot pendant
Gold double knot pendant
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For customisations (different metals, gemstones etc) the designer will do their best to accomodate your request, or give alternatives if is not possible with the selected piece.
Gold double knot pendant
Designer: Leigh Miller
For any queries around delivery, price or returns, please contact us here at Finematter
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Metal Durability
Made of solid 14 karat yellow gold, with the piece comprising one single type of metal. May need an occasional polish if worn regularly to maintain its shine.
Brand Recognition
Selected solely from Leigh’s sterling silver collection, this edit highlights her passion of natural forms and textures. Ranging from sculptural earrings to fluid pendants, these are striking designs that resemble works of art.
Product details
Metals
Yellow gold
A precious and highly durable metal which comes in different golden hues depending on its purity.
14 kt
58.3% gold content, relatively hard with a subdued yellow hue, making it a popular choice for jewellery that lasts a lifetime.
Solid
Made of a single, solid precious metal or metal alloy. Highly durable, can always be re-polished to regain its shine after wear.
Polished
The surface has been polished to give it a bright shine. It can always be re-polished to regain its shine after wear.
Size and fit
Pendant necklace
Lobster claw
Lock
18inches
Length
Leigh Miller
- Strong sustainability focus
- Unconventional and explorative techniques
- Handcrafts everything in her own studio
Designer Interview
Leigh Miller: "It always is up to the moon and the stars to ultimately dictate how the wax melts."
You’re based in Los Angeles. Have you always been based there, or is it new?
I’ve jumped around a bit. I’m originally from Santa Monica, a beach town in Los Angeles. I’ve lived in Northern California for a bit, and I did my bachelor’s degree in fashion design at Otis College of Art and Design, which was many many moons ago. I moved to New York and I ended up working for a variety of different designers there. I was working in these corporate environments, and when you go to school for fashion design… I just remember creating my initial package of my application to school and it was designing dresses that had hand blown beads dripping down the back of a gown, and then I ended up designing chino trousers. Several years in, I was not really having the creative outlet that I had hoped for. About 10 years ago, I started thinking about what else I could do.