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Pavé grey diamond stacking ring

(2019)
Pavé grey diamond stacking ring
Good for stacking
Pavé grey diamond stacking ring
Pavé grey diamond stacking ring
Pavé grey diamond stacking ring
Pavé grey diamond stacking ring
Good for stacking
Pavé grey diamond stacking ring
Pavé grey diamond stacking ring
Pavé grey diamond stacking ring

Pavé grey diamond stacking ring

(2019)
14 kt solid yellow gold30 diamonds

2.700 €
All taxes and customs duties included
Cannot be returned
Free shipping via DHL or UPS, fully insured
Includes certificate of authenticity
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Expert digest

Metal Durability

Made of solid 14 karat yellow gold, with the piece comprising one single type of metal. May need an occasional polish if worn regularly to maintain its shine.

Brand Recognition

"Alice is a skilled artist whose jewellery is influenced by drawing and sculpture, and made with a commitment to using high-quality materials and ethically sourced gemstones."

Product details

Metals

Yellow gold

A precious and highly durable metal which comes in different golden hues depending on its purity.

14 kt

58.3% gold content, relatively hard with a subdued yellow hue, making it a popular choice for jewellery that lasts a lifetime.

Solid

Made of a single, solid precious metal or metal alloy. Highly durable, can always be re-polished to regain its shine after wear.

Polished

The surface has been polished to give it a bright shine. It can always be re-polished to regain its shine after wear.

Gemstones

Diamond

Grey diamonds. Amount of stones varies based on size of ring

Round

Shape

Description of property

Size and fit

Wedding ring

1.4mm

Width

Description of property

Designer Interview

Alice Waese: "I like things to be elegant and worn in. Playful and meaningful. I suppose contrast is important." 

Designer photo

What is your background?

I grew up in Canada with my dad who is an artist and a computer programer and my stepmother who was a milliner. I studied at various schools; creative writing in Montreal, fashion design in Toronto, and fine art in London. I moved to New York to work with Maria Cornejo at Zero when I was 20. I then moved to London, and then back to New York where I currently live and work.

You studied fine art, how has that informed your jewellery practice?

While studying fine art I spent most of my time making sculpture and textiles. I think these mediums came together to create my current aesthetic. I didn’t study jewelry making so I apply a more sculptural technique to the work. I create very intuitively and allow the piece to tell the story of the process. 

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