Floating princess cut diamond necklace
Floating princess cut diamond necklace
Ask Lizzie Mandler a question
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For customisations (different metals, gemstones etc) the designer will do their best to accomodate your request, or give alternatives if is not possible with the selected piece.
Floating princess cut diamond necklace
Designer: Lizzie Mandler
For any queries around delivery, price or returns, please contact us here at Finematter
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Expert digest
There's no surprise this is a Finematter bestseller, the delicate diamond adds a touch of something special to every outfit!
Our curator
Metal Durability
Made of solid 18 karat yellow gold, with the piece comprising one single type of metal. May need an occasional polish if worn regularly to maintain its shine.
Brand Recognition
Lizzie’s minimal jewellery has a strong impact. Choose from fine chains with floating gemstones or something a little more bold. Her pieces are designed to be layered and can also be personalised.
Product details
Metals
Yellow gold
A precious and highly durable metal which comes in different golden hues depending on its purity.
18 kt
75.0% gold content, a warm buttery yellow hue and considered the most classic gold. An exclusive as well as durable precious metal.
Solid
Made of a single, solid precious metal or metal alloy. Highly durable, can always be re-polished to regain its shine after wear.
Polished
The surface has been polished to give it a bright shine. It can always be re-polished to regain its shine after wear.
Gemstones
Diamond
0.07 carat
The unit of weight for diamonds, equivalent to 0.2 grams.
VS1
Clarity
Inclusions are only visible with effort under 10x magnification.
G
Colour
Near colourless and rare white with a very slight warm tone, near impossible to detect. (Grade G)
Princess
Shape
Size and fit
Chain necklace
Spring clasp
Lock
16inches
Length
Lizzie Mandler
- Signature style of white and black diamonds
- Handcrafted in downtown Los Angeles
- Bench-trained goldsmith
Designer Interview
Lizzie Mandler: "When the jewellery gets purchased by some else, it is no longer about me or my brand at all. It is about what happens to this piece of jewellery in that person’s life and how it comes to take on a life and meaning of its own."
How did you get into jewellery?
I started designing and making semi precious and beaded jewellery when I was 12, and I got into fine jewellery at 16 when I started studying as a bench jeweller. Once I started with fine jewellery, I knew it was exactly what I wanted to pursue as a career. I studied as a bench jeweller locally in Santa Monica, and in college I moved to Florence, Italy for a year, and studied at a small artisan school. When I came back and graduated from university a year later, I launched the collection.
And your inspiration?
I’ve never had one singular source of inspiration, I am more inspired by the way jewellery lays on the body and the way we come to adapt jewellery as part of our wardrobes. Even more than just a wardrobe, it becomes a second skin to people and something that people wear religiously. There’s no one source, the key for me is I have to put myself in an environment where I am creative, and I have realised in the last few years that I have to remove myself from my office and from LA in order to get to that place.