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Large flow polished asymmetric hoops

Large flow polished asymmetric hoops
Large flow polished asymmetric hoops
Large flow polished asymmetric hoops
Large flow polished asymmetric hoops
Large flow polished asymmetric hoops
Large flow polished asymmetric hoops

Large flow polished asymmetric hoops

Sterling silverPair of earrings

£240
All taxes and customs duties included
90 day free returns
Insured shipping via DHL or UPS
Includes certificate of authenticity
Production time is 1-2 days.
Made just for you

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Expert digest

The classic gold hoop, which comes with a twist. These earrings have quickly become a Finematter team staple!

curator

Our curator

Metal Durability

Made of solid sterling silver, with the piece comprising one single type of metal. May need an occasional polish if worn regularly to maintain its shine.

Brand Recognition

Loved and respected designer Marlene creates a modern take on classic jewellery, covering everything from essentials to one of a kind pieces. We love her chunky chains and simple earrings set with diamonds, pearls and emeralds.

Product details

Metals

Sterling silver

92.5% pure silver, a highly durable precious metal. Sterling silver is nickel-free, hypoallergenic and safe for people with sensitive skin.

Solid

Made of a single, solid precious metal or metal alloy. Highly durable, can always be re-polished to regain its shine after wear.

Polished

The surface has been polished to give it a bright shine. It can always be re-polished to regain its shine after wear.

Size and fit

Hoops earring

Threader

Closure

Description of property

Designer Interview

Marlene Juhl Jørgensen: "I have to take responsibility and help impact the world in a positive way. You have to start with yourself."

Designer photo

You’ve been in the industry 30 years now, how did you end up a jewellery designer?

It’s quite early that I realise what I want to do in life. My mom has always had an interest in jewellery and would always have it custom-made. I remember how she once gifted us children a razor blade in silver and had one made in gold for herself. She was very modern and ahead of her time. It formed my interest in jewellery. I discovered designers like Gerda Lynggaard, Guld & Gummi, Birthe Steenbach and Torben Hardenberg who did untraditional jewellery. It took on a different life and became something more than pearls and eternity rings. It was a different approach and it opened my eyes to how you could work with unconventional materials like amber and rubber. It was an inspiration in the way that I started thinking about ways that I could redefine this universe and decide what it was supposed to look like.

FM: With whom did you do your apprenticeship?

With Vagn Drachmann. It was an amazing place. It was great, not in a cool way, but in a tough way. It really was incredible. Then, when I finished, I went to New York to study at Parsons. But I felt like I knew everything they had to offer already; they didn’t have a Master’s in jewellery. Instead, I started a Master’s in Fine Arts. I had always known that I had to travel and try new things. Had I just started on my own immediately after my apprenticeship, I am not sure I would have found my own style.

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