- Designed & created by
- Issue date
- 3 October 2022
All jewellery pieces sold or appraised by Finematter have a digital certificate of authenticity.
Besides proof of ownership, it verifies the quality of your piece, including designer, metal, and gemstones.
If you are buying this as a gift, it can be transferred to give the receiver direct access to the warranty, aftercare services, and more.
Repossi is a master of innovation and this regenerated jewellery classic, a refined bangle, is absolutely breathtaking.
Miranda Williams, Finematter
Gaia pioneered a new wave of modern design from the heritage of her family’s jewellery maison. The now iconic floating diamond and unique blend of pink gold, along with a league of admirers, make this a must-have brand.
A combination of gold and copper which comes in different rose-tinted hues depending on its purity.
18 kt rose
75.0% gold content, rich rose hues. An exclusive and durable precious metal.
Made of a single precious metal, this piece will never oxidise or discolour and will keep its looks for generations.
The surface has been polished to give it a bright shine. It can always be repolished to regain its shine after wear.
The unit of weight for diamonds, equivalent to 0.2 grams, or about 6.4mm in diameter (slightly smaller than a regular pencil-end eraser)
Inclusions so slight they are extremely hard for even a trained gemologist to see under 10x magnification
Near colourless and rare white with a very slight warm tone, near impossible to detect. (Grade G)
Size and fit
Gaia Repossi: "I play a lot with the collective unconscious, which is why I like antique and tribal jewellery. It is just a way to express a narrative and a dialogue."
Repossi was founded in 1957, so you come from a long history of creative jewellery talent, but initially, you studied fine arts. What convinced you to go into the family business after all?
I didn’t really want to do this profession, but I was living in Paris at the time, and my father had his communications and part of the design offices here in Paris. I slowly started advising him, and later on I tried a few projects and designs, and it worked. I think it was my father’s approach and his way of giving me freedom and total trust; I felt like I could express myself enough. The respect and the interest he had in giving me all the space I needed was a beautiful way to slowly convince me to finish what I started.
I read that you put yourself in the position of a “stranger”, which allowed you to question the foundations of the old world, can you elaborate on this position?
What happens when you don’t necessarily want to do a certain profession or you are sort of an outsider because you are younger and you have a different point of view, you slowly develop a sort of distance that allows you to rethink things. One of the reasons why I wasn’t interested in pursuing this career was basically because of what I wanted to change. I was questioning why contemporary jewellery didn't fit nowadays silhouette. Why it was only fashion that reinvents itself and makes desirable things, and why jewellery really did not relate to me. I wanted an identity that women could identify with. I wanted an image that fit the time we are in now.