Thalassa keshi baroque pearl drop hoops
Thalassa keshi baroque pearl drop hoops
Ask Dinny Hall a question
Some questions are best asked to our amazing designers directly, fill out the form and they will get back to you as soon as they can.
For customisations (different metals, gemstones etc) the designer will do their best to accomodate your request, or give alternatives if is not possible with the selected piece.
Thalassa keshi baroque pearl drop hoops
Designer: Dinny Hall
For any queries around delivery, price or returns, please contact us here at Finematter
Warranty
Delivery
Payment
Return
Expert digest
Metal Durability
Made of plated 22 karat yellow gold, a thin layer of precious metal layered on the surface of a precious base metal. We recommend using our replating service every 3 or 4 years.
Brand Recognition
"Established for years and loved by many, Dinny is a renowned destination for gifting. Her signature styles are jewellery basics, elevated with pearl and diamond details, that you will be wearing for years to come."
Product details
Metals
Yellow gold
A precious and highly durable metal which comes in different golden hues depending on its purity.
22 kt
91.6% gold content, a warmer beeswax-yellow hue. An exclusive and malleable precious metal which will shape slightly to the wearer over time.
Plated
Covered in a thin layer of precious metal electrically charged onto a base metal, which will gently wear off with time.
Sterling silver
Base
The most precious and durable base metal. Will not lose its shape, discolour the gold plating on top, or cause allergic reactions.
Polished
The surface has been polished to give it a bright shine. It can always be re-polished to regain its shine after wear.
Gemstones
Pearl
Baroque
Irregular teardrop-like shape. No two pearls are the same.
Size and fit
Drop earring
Clasp
Closure
24mm
Drop length
Dinny Hall
- High quality materials
- Popular British jewellery line
- Committed to responsible practices
- More than 30 years in the industry
Designer Interview
Dinny Hall: "I believe that design is not just about translating things you see, but also translating things you feel."
What is your background and how did you get into jewellery design?
I went to Central Saint Martin’s school of art, way back in the 1980s. I suppose, I took the academic route to learn how to make jewellery, and it gave me the time to experiment. There was never any question when I left that I was going to do anything rather than being a jewellery designer.
What would you say the role of jewellery is today, and in general?
Without a doubt to make people happy. There’s no doubt. It is a little pleasure in life just like a cake except jewellery you can keep. And of course, it has a lot of meaning. There’s a huge emotional attachment, so more than just happiness, it is about the emotional attachment to life, and passing on as heirlooms. It doesn’t have to be expensive. It can be a little finger ring, and it can have great importance.